This blog is a part of my body of research that seeks to analyse civil society's and academia's understanding of national security models from an academic perspective with a focus on Canada, Israel and the UK.
"While Graham did not literally lynch her son Michael, she metaphorically strung him up for the world to see — in hopes of keeping him alive. We can all appreciate the pain and fear in her cry that “I don’t want my son to be a Freddie Gray.” This is every black mother’s cry heard over hundreds of years in America. From the plantation moms who whipped their kids so white masters and overseers wouldn’t more harshly do the same, to the parents during Jim Crow who beat their children to keep them safe from the Klan and lynch mobs, these beatings are the acts of a people so desperate and helpless, so terrorized and enraged, that heaping pain upon their children actually seems like a sane and viable act of parental protection."
In the wake of 9/11, the FBI recruited thousands of informants to spy on the country’s Muslim communities. In a thrilling exposé, two filmmakers follow a felon-turned-informant as he tries to snare an alleged terror suspect, with devastating results.
(T)ERROR opens to footage of part-time school cook Saeed Torres cursing about being on camera. “I told you I didn’t want my face on this shit,” he tells filmmakers Lyric Cabral and David Felix Sutcliffe. Minutes later, he’s showing off on the sidelines of the school basketball court.
That contradiction is the first of many 63-year-old Saeed demonstrates in the 90-minute documentary, which offers unprecedented access into the unsettling work of an FBI informant during an active operation.
A former Black Panther, Torres was arrested on larceny charges more than 20 years ago and has been working for “the agency” ever since. His biggest coup came in 2005 when he drew Brooklyn jazz musician Tarik Shah into an admission that would see him jailed for 13 years. Shah’s mother, who appears in the film, is still campaigning to have him released, 10 years into his sentence. Torres says he has "no feelings” for the POI, or “Person of Interest” he’s sent to ensnare. But later in the film he says of Shah: “I liked and trusted the brother.”
In Pittsburgh, where most of the film takes place, Torres is tasked with befriending a white Muslim convert who the FBI suspect of radicalisation. While Torres admits that Khalifa al-Akili “wouldn’t throw rice at a wedding,” he sets about drawing the 34-year-old into a terror plot that would allow the FBI to put him behind bars. “He’s not even a psuedo-terrorist,” Torres says, but continues to angle for a conviction that could fetch him up to $250,000.
Khalifa al-Akili, the "Person of Interest" or POI being tracked by informant Saeed Torres during the film.
Torres and his interactions with FBI agents (he shares his voicemail and text messages with the audience), reveal the dogged and clumsy workings of a programme which has targeted and jailed thousands of Muslims across the United States since the 9/11 attacks, a scheme which civil liberties advocates describe as an “indiscriminate monitoring” and “a violation of religious freedom”.
‘FBI know nothing, they just want to make an arrest’
Directors Cabral and Sutcliffe were drawn to the issue when a 16-year-old student at the Harlem arts college where they taught was arrested on fabricated terror charges, leading to the deportation of the girl’s father. Sutcliffe went on make a film about Adama Bah, who after five years saw her charges dropped and was reunited with her father. But she was one of a fortunate minority – in similar cases the federal conviction rate is 96%.
“The FBI is responding to the latest episode of a deeply embedded historic problem: it’s a response to an event which in itself is a response to power abusing those without power,” Sutcliffe told FRANCE 24 in an interview on Thursday. “We recognise that the threat of terrorism is very real, but to what extent have our own policies exacerbated that problem?”
For Saeed, the FBI is “who’s in control”. But he says they lack understanding of the situation on the ground. “They don’t know nothing, they’re just trying to make an arrest,” he says.
Cabral and Sutcliffe made a request for a statement from the FBI but never received a response.
“We would love to hear their thoughts,” Cabral told FRANCE 24. “I’m sure there are people within the FBI who are frustrated with the counter-terrorism strategy too. But we just get this wall of silence. It’s the missing piece of the puzzle.”
(T)ERROR won the Special Jury Prize at the Sundance Film Festival and was featured at the Tribeca Film Festival in New York.
In the wake of 9/11, the FBI recruited thousands of informants to spy on the country’s Muslim communities. In a thrilling exposé, two filmmakers follow a felon-turned-informant as he tries to snare an alleged terror suspect, with devastating results.
(T)ERROR opens to footage of part-time school cook Saeed Torres cursing about being on camera. “I told you I didn’t want my face on this shit,” he tells filmmakers Lyric Cabral and David Felix Sutcliffe. Minutes later, he’s showing off on the sidelines of the school basketball court.
That contradiction is the first of many 63-year-old Saeed demonstrates in the 90-minute documentary, which offers unprecedented access into the unsettling work of an FBI informant during an active operation.
A former Black Panther, Torres was arrested on larceny charges more than 20 years ago and has been working for “the agency” ever since. His biggest coup came in 2005 when he drew Brooklyn jazz musician Tarik Shah into an admission that would see him jailed for 13 years. Shah’s mother, who appears in the film, is still campaigning to have him released, 10 years into his sentence. Torres says he has "no feelings” for the POI, or “Person of Interest” he’s sent to ensnare. But later in the film he says of Shah: “I liked and trusted the brother.”
In Pittsburgh, where most of the film takes place, Torres is tasked with befriending a white Muslim convert who the FBI suspect of radicalisation. While Torres admits that Khalifa al-Akili “wouldn’t throw rice at a wedding,” he sets about drawing the 34-year-old into a terror plot that would allow the FBI to put him behind bars. “He’s not even a psuedo-terrorist,” Torres says, but continues to angle for a conviction that could fetch him up to $250,000.
Khalifa al-Akili, the "Person of Interest" or POI being tracked by informant Saeed Torres during the film.
Torres and his interactions with FBI agents (he shares his voicemail and text messages with the audience), reveal the dogged and clumsy workings of a programme which has targeted and jailed thousands of Muslims across the United States since the 9/11 attacks, a scheme which civil liberties advocates describe as an “indiscriminate monitoring” and “a violation of religious freedom”.
‘FBI know nothing, they just want to make an arrest’
Directors Cabral and Sutcliffe were drawn to the issue when a 16-year-old student at the Harlem arts college where they taught was arrested on fabricated terror charges, leading to the deportation of the girl’s father. Sutcliffe went on make a film about Adama Bah, who after five years saw her charges dropped and was reunited with her father. But she was one of a fortunate minority – in similar cases the federal conviction rate is 96%.
“The FBI is responding to the latest episode of a deeply embedded historic problem: it’s a response to an event which in itself is a response to power abusing those without power,” Sutcliffe told FRANCE 24 in an interview on Thursday. “We recognise that the threat of terrorism is very real, but to what extent have our own policies exacerbated that problem?”
For Saeed, the FBI is “who’s in control”. But he says they lack understanding of the situation on the ground. “They don’t know nothing, they’re just trying to make an arrest,” he says.
Cabral and Sutcliffe made a request for a statement from the FBI but never received a response.
“We would love to hear their thoughts,” Cabral told FRANCE 24. “I’m sure there are people within the FBI who are frustrated with the counter-terrorism strategy too. But we just get this wall of silence. It’s the missing piece of the puzzle.”
(T)ERROR won the Special Jury Prize at the Sundance Film Festival and was featured at the Tribeca Film Festival in New York.
JERUSALEM (Reuters) - Israel has added the name of a Palestinian teen to its "Monument to the Memory of the Victims of Terrorism", upsetting the youth's parents and a group representing families of slain Israelis with both demanding his name be removed.
Sixteen-year-old Mohammed Khudair, according to a murder indictment, was burned alive in July in Jerusalem by three Israelis avenging the deaths of three Jewish teenagers killed by Palestinian militants in the occupied West Bank a month earlier.
Both incidents drew world attention and Israel, citing a nationalist motive for Khudair's death, swiftly declared the Palestinian youth a "victim of terrorism", enabling his family in occupied East Jerusalem to receive Israeli state stipends.
His accused murderers are still on trial, and the case has largely faded from public attention.
But it resurfaced in an outpouring of bitterness on Tuesday, the eve of Israel's annual Remembrance Day for soldiers and civilians killed in decades of conflict, when state-owned radio reported that Khudair's name had been officially inscribed on the stone monument in Jerusalem's Mount Herzl cemetery.
Mohammed Abu Khudair, 16, is seen in this undated family handout picture released July 6, 2014. (REU …
The Almagor Terror Victims Organisation, a group founded in 1986 and representing the families of Israelis killed in Palestinian attacks, demanded the government remove the plaque honoring Khudair.
"(Khudair's) name on the memorial debases the memory of all the other fallen people," Yossi Tzur, an Almagor member whose 17-year-old son was killed in a Palestinian suicide bombing in 2003, told Israel Radio.
"He is not part of the Israeli ethos. He is not part of the sacrifice our children made at the altar for the sake of Israel's establishment and existence," Tzur said.
Khudair's parents told Reuters they had not been consulted by Israel about adding their son's name to the memorial, which lists more than 4,000 people.
"We can't accept that his name be included among soldiers who killed his relatives in Gaza, Lebanon and the West Bank," said Khudair's father, Hussein.
His mother, Suha, said her son was "a Palestinian martyr, and not Israeli", and their family felt shamed.
There was no immediate comment from Israeli authorities as the clock ticked down to the start of Remembrance Day after sundown on Tuesday.
Israel regards the monument as an important national symbol, and Pope Francis visited the site during a Holy Land pilgrimage last May.
(Additional reporting by Maayan Lubell; Editing by Mark Heinrich)
